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#1 |
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Posts: 440
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Touched by an Angel
We, unaccustomed to courage exiles from delight live coiled in shells of loneliness until love leaves its high holy temple and comes into our sight to liberate us into life. Love arrives and in its train come ecstasies old memories of pleasure ancient histories of pain. Yet if we are bold, love strikes away the chains of fear from our souls. We are weaned from our timidity In the flush of love's light we dare be brave And suddenly we see that love costs all we are and will ever be. Yet it is only love which sets us free. Maya Angelou |
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#2 |
Banned
![]() ![]() ![]() Join Date: Jan 2008
Posts: 440
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Song Of The Rain VII
I am dotted silver threads dropped from heaven By the gods. Nature then takes me, to adorn Her fields and valleys. I am beautiful pearls, plucked from the Crown of Ishtar by the daughter of Dawn To embellish the gardens. When I cry the hills laugh; When I humble myself the flowers rejoice; When I bow, all things are elated. The field and the cloud are lovers And between them I am a messenger of mercy. I quench the thirst of one; I cure the ailment of the other. The voice of thunder declares my arrival; The rainbow announces my departure. I am like earthly life, which begins at The feet of the mad elements and ends Under the upraised wings of death. I emerge from the heard of the sea Soar with the breeze. When I see a field in Need, I descend and embrace the flowers and The trees in a million little ways. I touch gently at the windows with my Soft fingers, and my announcement is a Welcome song. All can hear, but only The sensitive can understand. The heat in the air gives birth to me, But in turn I kill it, As woman overcomes man with The strength she takes from him. I am the sigh of the sea; The laughter of the field; The tears of heaven. So with love - Sighs from the deep sea of affection; Laughter from the colorful field of the spirit; Tears from the endless heaven of memories. Khalil Gibran |
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#3 |
Pledge
Join Date: Feb 2011
Posts: 7
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Great choices in poets!
I actually have very little conformity between how I write different pieces. I do some stream of conscious, yet some, as in The Whisper and The Lie, take a lot of research, editing, and rewriting. Some are written for spoken word and some as written poetry. The Whisper and The Lie actually came out of an excercise I created for myself because I was having trouble writing the second verse to a song. I later wrote a whole book based on that poem. I love the patterns contained in some poetry, and the abstract beauty of prose as well. This may explain why I mastered no one form, only dabble in several. I woke up this morning with an idea in my head - acronyms, or, more specifically, notorikons. There are no notorikons in what I wrote, but it was the inspiration. So I played around and came up with this: P.O.E.M.S.T.O.R.Y.M.Y.T.H. By The Fact Itself (I.P.S.O.F.A.C.T.O.) Peer Onto Every Mountain Pines Offer Endless Mossaic Peeking Over Early Mists Piercing Obscurity, Ever Magestic Stories Told Of Rustic Yeoman Stoic Tales Of Rough-sawn Youth Solid Timber Often Rises Yearning, Striving To Overcome Retrorse Years May Yon Tomorrows Have Many Yearlings Tempered Harshly Mighty Yggdrasil Tasted Hardship Mayhap You'll Touch Heaven In Poem, Story, Or Fable, As Creation Traipses Onward Similar to Haiku, the limitations of structure only allow for certain possibilities to take shape, and only a small portion of those to truly shine. I tend toward writing in this manner, which means I toss a large portion of my ideas due to the fact that I cannot contain a coherent message throughout. As with haiku and notorikons, there are only certain possibilities that are viable. That's why I appreciate Immune's Haiku(s) so much. Last edited by Daretobeconju; 04-25-2012 at 04:46 PM. |
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